The following works are all pieces that I created either my junior or senior year in high school and submitted in the Breadth section of the AP Studio Art Exam!
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Columbia's Future
After my first visit to the North Cascades, I painted a view of Columbia Glacier from its mouth. This year, after my second visit, I decided it would be an interesting challenge to paint the mountain once the glacier is gone. In the future, two small lakes fill the basins, and the uppermost lake feeds the lower lake. The rocky bed which was previously covered in snow is beginning to host plant life. |
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Crampon
I drew this observational view of a crampon after my second season in the North Cascades as well. A crampon is an object that people are often either familiar with because they use them, or it is a complete mystery. You basically strap it onto your hiking boot for climbing on ice! |
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Deception
The calligraphy assignment in Advanced Art my junior year was one I loved. We were able to combine any type of calligraphy with an image. I actually had a song and concept in mind, but ended up changing the song to better fit the image. Both the words and the scene imply that the character is deceptive. |
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Deserted
This piece was my first experience using oil paints. The only specified instruction was to use indoor lighting, and I decided to try to create a story with my scene. I included different elements, such as the abandoned tabled and fallen chair, as well as the person in the background. I like how the blue in the background gives the impression of sky. |
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Introducing Marble Boy
I created this for AP Art during the summer. Our assignments were marble-themed, but with one we were allowed to illustrate whatever we chose. I created a superboy, who has the strength to lift this super-marble. |
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Measuring Marbles
This was the second marble piece, with the instruction of "marbles in a container." I chose to try a more interesting composition by arranging the marbles in measuring spoons. |
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Mary-Kate
I created this piece after my art class ended junior year. I worked in whatever free time I had for months on her face. I worked directly from a photograph, which I had chosen because I loved the composition and lighting. Because I love to draw faces, I wanted to challenge myself to drawing this face, before continuing to create my own faces, or drawing them from observation. |
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